Jean-Luc Ponty is a pioneer and undisputed master of violin in the arena of jazz and rock. He is widely regarded as an innovator who has applied his unique visionary spin that has expanded the vocabulary of modern music.
The Cosmic Messenger returns! For the first time since the mid-nineties, jazz/fusion violinist, Jean Luc Ponty will tour with members of the amazing electric band he toured and recorded with during the 80’s and 90’s. Once more replicating the ‘ahead of its time’ electronic sound he pioneered in the 70’s and 80’s, the Jean Luc Ponty electric band will hit the road in June 2017.
Featuring Ponty band vets, Jamie Glaser (guitar), Keith Jones (bass), Rayford Griffin (drums) and Wally Minko (keyboards), the band will present the influential jazz fusion music that poured forth from classic works such as “Imaginary Voyage,” “Cosmic Messenger,” “Enigmatic Ocean” and many more of the most influential jazz fusion pieces that came from his string of successful Atlantic Records albums.
Beginning well before his association with Frank Zappa and the Mothers of Invention and his participation in John McLaughlin’s Mahavishnu Orchestra, Jean Luc Ponty began a “cosmic voyage” that brought him recognition as one of the most progressive, innovative influences of jazz fusion music in history.
Ponty was born in a family of classical musicians on September 29, 1942 in Avranches, France. His father taught violin, his mother taught piano. At sixteen, he was admitted to the Conservatoire National Supérieur de Musique de Paris, graduating two years later with the institution’s highest award, Premier Prix. In turn, he was immediately hired by one of the major symphony orchestras, Concerts Lamoureux, where he played for three years.
While still a member of the orchestra in Paris, Ponty picked up a side gig playing clarinet (which his father had taught him) for a college jazz band that regularly performed at local parties. It proved a life-changing jumping-off point. A growing interest in the jazz sounds of Miles Davis and John Coltrane compelled him to take up the tenor saxophone. Fueled by an all-encompassing creative passion, Jean-Luc soon felt the need to express his jazz voice through his main instrument, the violin.
So it was that Ponty found himself leading a dual musical life: rehearsing and performing with the orchestra while also playing jazz until 3 AM at clubs throughout Paris. The demands of this doomed schedule eventually brought him to a crossroads. “Naturally, I had to make a choice, so I took a chance with jazz”, says Jean-Luc.
At first, the violin proved to be a handicap; few at the time viewed the instrument as having a legitimate place in the modern jazz vocabulary. With a powerful sound that eschewed vibrato, Jean-Luc distinguished himself with be-bop era phrasings and a punchy style influenced more by horn players than by anything previously tried on the violin; nobody had heard anything quite like it before. Ponty played with some of the best European musicians such as Daniel Humair, Eddy Louiss, Niels-Henning-Ørsted-Pedersen among others. His notoriety grew with remarkable leaps and by 1964, at age 22, he released his debut solo album for Philips, Jazz Long Playing. A 1966 live album called Violin Summit united Ponty on stage in Basel, Switzerland with such notable string talents as Svend Asmussen, Stéphane Grappelli and Stuff Smith.
In 1967, John Lewis of The Modern Jazz Quartet invited Ponty to perform at the Monterey Jazz Festival. Jean-Luc’s first-ever American appearance garnered thunderous applause and led to a U.S. recording contract with the World Pacific label (Electric Connection with the Gerald Wilson Big Band, Jean-Luc Ponty Experience with the George Duke Trio). Through the late-60s and early 70s, Ponty achieved mounting critical praise and popularity across Europe. In turn, the violinist soon found his signature talents in demand by top recording artists the world over.
In 1969, Frank Zappa composed the music for Jean-Luc’s solo album King Kong (Blue Note). In 1972, Elton John invited Ponty to contribute to his Honky Chateau #1 hit album. Within a year – at the urging of Zappa who wanted him to join his band the Mothers of Invention – Ponty emigrated with his wife and two young daughters to America and made his home in Los Angeles. He continued to work on a variety of projects – including a pair of John McLaughlin/Mahavishnu Orchestra albums/tours (Apocalypse, Visions of the Emerald Beyond). In the meantime he became a prolific composer, signed on as a solo artist with Atlantic Records in early 1975, released his first album Upon The Wings Of Music that same year and started touring with his own band.
For the next decade, Jean-Luc toured the world repeatedly and recorded 12 consecutive albums which all reached the top 5 on the Billboard jazz charts and sold millions of copies. Early Atlantic recordings, such as 1976’s Aurora and Imaginary Voyage, firmly established him as a figurehead in America’s growing jazz-rock movement. He went on to crack the top 40 in 1977 with the Enigmatic Ocean album and again in 1978 with Cosmic Messenger. In 1984, a revolutionary video featuring time lapse images was produced by Louis Schwarzberg for Individual Choice. Along with Herbie Hancock, Ponty became one of the first jazz musicians to have a music video.
From the 80s to this day Ponty has been recording and touring around the world with his own groups and has done collaborations with other great musicians such as guitarists Allan Holdsworth, Al Di Meola, bassist Stanley Clarke, West African musicians, banjo player Bela Fleck, Lalo Schifrin, Chick Corea and Return To Forever IV, violinists Nigel Kennedy, Mark O’Connor, L. Subramaniam from India, classical violist and conductor Yuri Bashmet from Russia, pianist Wolfgang Dauner, guitarist Bireli Lagrene and singer Jon Anderson from Yes, and his daughter pianist-singer-composer Clara Ponty. Jean Luc has also performed his music with symphony orchestras in the U.S.A, Canada, Japan, Western and Eastern Europe, Brazil and Russia.